Songs Made with Gold Clip

Gold Clip
Written By Ryan Schwabe

Below are some legendary engineers that are making music with a little help from Gold Clip. Read how they are using it and take a listen.

Stuart White (mixer)

Beyonce - Cowboy Carter

“I used Gold Clip on a few tracks from Cowboy Carter. I had it inserted on my aux groups clipping some peaks off.”

Teezio (mixer)

Chris Brown - 11:11 (Deluxe)

“Tell’m the whole album has Gold Clip on it”

Bainz (mixer)

Young Thug - Oh U Went (ft. Drake)

“Gold Clip was the last plugin on the mix with a little bit of gold for Young Thug’s ‘Oh U Went’”

Jon Low (mixer)

Maya Hawke - Missing Out

“I have an instance of Gold Clip on the drum bus that's integral to the drum sound. It's acting slightly like a limiter through the clipping section in Classic mode. Classic Gold processing is at over 4db, really filling in some of the low level detail. On an acoustic drum kit, it adds excitement and punch in a totally different way than compressing. Gold Clip is also on the mix bus just doing a little work. The clipping is no more than 1-2db since the drum transients are already controlled early on.”

Tony Maserati (mixer)

Jesse Reyes - SHUT UP (ft. Big Sean)

“Used Gold Clip on this mix and so many more”

Benjamin Thomas (mixer)

Lil Uzi Vert - Endless Fashion (ft. Nicki Minaj)

“I used Gold Clip on the drum bus and the mix bus and every mix I have done since it came out.”

Chris Tabron (mixer)

Jensen McRae - Massachusetts

“In the year since I've been using Gold Clip, I've gone from putting it on at the end  of a mix for just a dash of magic, to getting it in the chain fairly quickly after my balances and making lots of decisions through it.  Just a bit of Gold Processing, and a touch of Alchemy gives me something inspiring to push into, without sacrificing any fidelity.  You can hear this most recently on Jensen McRae's latest single Massachusetts.”

Ryan Schwabe (mixer)

BAYNK - Blood

“This song is intentionally crunchy sounding. I used Gold Clip on the mix bus with 4dB of Classic Gold to make it sound like the record is bleeding a bit.”

Ryan Schwabe

Schwabe Digital is an audio technology development project by Grammy-nominated and Platinum-certified mixing & mastering engineer Ryan Schwabe.

Ryan received his second Grammy nomination for "Best Engineered Album, Non-Classical" for mixing and mastering the album, Adolescence by BAYNK in 2023. His first nomination was for mixing the "Best Dance/Electronic Album" Planets Mad by Baauer in 2021. He is a platinum-certified mixing and mastering engineer, a former professor of recording arts & music production at Drexel University's Music Industry Program, and a former Vice President of the Philadelphia Chapter of the Recording Academy, as well as Co-Chair of the Producer and Engineer's Wing. Currently, he is the Treasurer of the Philadelphia Chapter of the AES and the owner of Xcoustic Sound, a mixing and mastering post-production audio company. Ryan is also the owner and product designer for Schwabe Digital.

https://www.RyanSchwabe.com
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One Year of Gold Clip