
Reviving Loud & Limited Pre-Masters with GOLD CLIP
As a mastering engineer, Iβm often handed mixes that are already limited or clipped. These loud, finalized mixes can be tricky to work with because thereβs often very little headroom or transient detail left. What I do as a mastering engineer involves envelope or dynamic shaping just as much as balancing, sweetening, and preparing a mix for distribution.

08) Refining High Frequencies with Box Tone
Box Tone is one of the more subtle processors on GOLD CLIP, but I often find it helpful when I want to smooth out the top end of digital recordings. In effect, Box Tone is a hyper-sonic low-pass filter that cleans up some of the digital ugliness on the very top of a mix.